FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT
FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT

FAR FROM THE MADDING CROWD BY THOMAS HARDY 1874 FIRST EDITION IN PRINT

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[HARDY, THOMAS]. Far From the Madding Crowd [(in) The Cornhill Magazine]. London, Cornhill Magazine, January - December 1874.

First appearance in print, [the complete novel extracted from the original twelve monthly serials and bound together]. Leather-bound. Hardcover. Octavo (230 x 150 x 30 mm.). Pp. 673, (1). Handsome binding of green half calf, spine gilt, sides cloth, plain endpapers, page edges unevenly cut. Illustrated with 12 plates and 12 vignettes after drawings by Helen Allingham. Condition: Binding tight and secure, some light shelf wear to covers. Contents nicely preserved being fresh and clean. Without previous ownership markings. Scarce.

Notes: A landmark Victorian novel, here in its first appearance in print in the Cornhill Magazine, published anonymously. Only the plates were used in the subsequent book editions; the vignettes were never reproduced, even though Hardy was fond of them. He later told Edmund Gosse that Helen Allingham "was the best illustrator I ever had" (Purdy).